The Pseudonyms Of Julian Barnes

Based on years of correspondence and extensive access to the author’s personal archives, this book explores Julian Barnes’s creative use of pseudonyms and their importance to his development as a writer. “Strangely interesting … it is also strangely obsessive, but in a nice way. It is a tremendously impressive piece of research.” – Julian BarnesAn exploration of Julian Barnes’s many pseudonyms, this book uncovers the history and development of Barnes as a writer and his playful experiments with authorship. Based on decades of personal correspondence and extensive access to Barnes’s private papers, scrapbooks, and book collection, author Ryan Roberts closely examines Barnes’s pseudonymous writings as crime writer Dan Kavanagh, critic Edward Pygge, and restaurant reviewer Basil Seal, as well as numerous previously unidentified personas. This study presents a revealing new perspective on Barnes and his writing process. Forensic and compelling, The Pseudonyms of Julian Barnes traces Barnes’s use of pseudonyms and how they evolved from a means of money-making and critiquing his peers, to eventually becoming fully realized authorial characters with unique personalities. Barnes’s unique pseudonymous inventions and their distinct authorial personas allowed him to develop his craft, establish his own literary identity, build confidence, and define his views about authorship and voice. Roberts draws from close textual analysis of Barnes’s entire writing career— from his previously unpublished juvenilia, early journalistic efforts, through to his final book Departure(s)—along with biographical and exhaustive archival research to illustrate how Barnes’s pseudonyms influenced his writing style, his artistic choices, and thematic explorations throughout his career. With theoretical reflections on notions of authorship and the practice of using pseudonyms, discussions of British literary cultures from the 1960s and 1970s and offering a behind-the-scenes look at literary journalism and the functioning of major publications such as The New Review and the New Statesman, the book injects rich, fresh insights into the study of one of Britain’s most acclaimed contemporary writers.