The Rise of Supernatural Fiction, 1762 1800

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Bol This book questions the historical reasons for the improbable popularity of supernatural fiction in the Age of Enlightenment, examining Gothic novels in the context of contemporary theatrical ghosts, and drawing out the connection between fictions of the supernatural and the growth of consumerism. A genre of supernatural fiction was among the more improbable products of the Age of Enlightenment. This book charts the troubled entry of the supernatural into fiction, and questions the historical reasons for its growing popularity in the late eighteenth century. Beginning with the notorious case of the Cock Lane ghost, a performing poltergeist who became a major attraction in London in 1762, and with Garrick's spellbinding and paradigmatic performance as the ghost-seeing Hamlet, it moves on to look at the Gothic novels of Horace Walpole, Ann Radcliffe, M. G. Lewis, and others, in unexpected new lights. The central thesis concerns the connection between fictions of the supernatural and the growth of consumerism: not only are ghost stories successful commodities in the rapidly commercialising book market, they are also considered here as reflections on the disruptive effects of this socio-economic transformation.

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Bol

This book questions the historical reasons for the improbable popularity of supernatural fiction in the Age of Enlightenment, examining Gothic novels in the context of contemporary theatrical ghosts, and drawing out the connection between fictions of the supernatural and the growth of consumerism. A genre of supernatural fiction was among the more improbable products of the Age of Enlightenment. This book charts the troubled entry of the supernatural into fiction, and questions the historical reasons for its growing popularity in the late eighteenth century. Beginning with the notorious case of the Cock Lane ghost, a performing poltergeist who became a major attraction in London in 1762, and with Garrick's spellbinding and paradigmatic performance as the ghost-seeing Hamlet, it moves on to look at the Gothic novels of Horace Walpole, Ann Radcliffe, M. G. Lewis, and others, in unexpected new lights. The central thesis concerns the connection between fictions of the supernatural and the growth of consumerism: not only are ghost stories successful commodities in the rapidly commercialising book market, they are also considered here as reflections on the disruptive effects of this socio-economic transformation.

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Pagina's: 240, Editie: Revised ed., Paperback, Cambridge University Pr.


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Merk Cambridge University Press
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  • 9780521664585
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