The Unfinished Republic

For two centuries, American women have inherited an unfinished republic. The Founders excluded them, the 19th Amendment opened the franchise, the 1965 Voting Rights Act extended it in practice, the rights era of the 1960s and 70s built the constitutional architecture of equality - and then the architecture began to crack. Dobbs reversed a half-century-old right. Shelby County gutted the Voting Rights Act. The public sphere became hostile to women's political speech. Representation grew but did not translate into durable institutional protection.In The Unfinished Republic, J.J. Ramos makes the civic-feminist argument: the most urgent work of the next decade is the repair of democracy itself, and the women litigating in state courts, organizing the voter rolls, running for office, and building independent civic infrastructure are doing the central political work of the era - whether or not they are labeled as feminists for doing it.The book opens with an honest balance sheet of what the previous waves settled and what they assumed. The middle documents the four crises of the present: representation, bodily autonomy, the vote, and the public sphere. The third part profiles the builders: the strategic litigators at the ACLU Women's Rights Project, the Center for Reproductive Rights, and the National Women's Law Center; the organizers at Black Voters Matter, EMILY's List, Higher Heights, She Should Run, and Vote Mama; the independent journalism of The 19th and ProPublica; the public-interest tech of Code for America and the Brennan Center; the broader pro-democracy coalition. The closing chapters sketch what a repaired democracy looks like and where the feminist tradition fits in the long arc that achieves it.For readers of On Tyranny (Snyder), How Democracies Die (Levitsky and Ziblatt), Caste (Wilkerson), and the recent feminist constitutional-law work of Reva Siegel, Cary Franklin, and Melissa Murray - and for any reader who suspects that the work of saving democracy and the work of feminism are now the same work.

Pagina's: 268, Paperback, J.J. Ramos