Understanding and Practice

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Bol The Academic Library of the Chinese National Academy of Arts: Understanding and Practice (Selected Essays on Traditional Opera and Folklore) is divided into two parts. The upper part presents the author's recent research findings on stele inscriptions of traditional opera guilds and documents related to operatic performance. From the perspectives of national language policy, changes in economic and cultural systems, the management of opera troupes, and the cataloging of operatic documents, this section meticulously examines and discusses the evolutionary patterns of Kunqu, Peking Opera, and regional operatic arts since the 18th century. It combines micro-level documentary research with fieldwork practice, with a focus on elucidating and revealing the laws governing stage art. The lower part approaches the study of traditional opera from the perspective of folk ecology. It either examines the cultural background of regional dialects and explores the relationship between folktales and beliefs; investigates the religious connotations of folk customs, faithfully recording the psychological and emotional motivations behind folk practices; or comprehensively studies the characteristics and distinctions of folk ritual theater, while also attending to the contemporary fate of operatic artistic heritage.¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿

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The Academic Library of the Chinese National Academy of Arts: Understanding and Practice (Selected Essays on Traditional Opera and Folklore) is divided into two parts. The upper part presents the author's recent research findings on stele inscriptions of traditional opera guilds and documents related to operatic performance. From the perspectives of national language policy, changes in economic and cultural systems, the management of opera troupes, and the cataloging of operatic documents, this section meticulously examines and discusses the evolutionary patterns of Kunqu, Peking Opera, and regional operatic arts since the 18th century. It combines micro-level documentary research with fieldwork practice, with a focus on elucidating and revealing the laws governing stage art. The lower part approaches the study of traditional opera from the perspective of folk ecology. It either examines the cultural background of regional dialects and explores the relationship between folktales and beliefs; investigates the religious connotations of folk customs, faithfully recording the psychological and emotional motivations behind folk practices; or comprehensively studies the characteristics and distinctions of folk ritual theater, while also attending to the contemporary fate of operatic artistic heritage.¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿

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Pagina's: 398, Editie: Unabridged, Paperback, ¿¿¿¿¿¿¿¿


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