Visual and Material Culture, 1300 1700 Reframing Seventeenth Century Bolognese Art

Name: Visual and Material Culture, 1300 1700 Reframing Seventeenth Century Bolognese Art
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Bol This ground-breaking collection of essays examines the evolving taste for Bolognese art during the seventeenth century, both within and outside Bologna itself, based on new archival research and also exploring issues of gender, class, and regional preferences during the Seicento. These ground-breaking essays, all based on original archival research, consider the evolving interest in Bolognese art in seventeenth-century Italy, particularly focusing on the period after the death of Guido Reni in 1642. Edited by Bolognese specialists Raffaella Morselli and Babette Bohn, the studies collected here focus on the taste for Bolognese art within Bologna itself and in other parts of the Italian peninsula, including Mantua, Ferrara, Rome, and Florence. Essays examine the roles of gender, class, and the social status of the artist in early modern Bologna; approaches to exhibiting artworks in noble Bolognese collections; the reputations of local women artists; the popularity of Bolognese quadratura painting; and the relative success of both contemporary and earlier Bolognese artists with Italian collectors.

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This ground-breaking collection of essays examines the evolving taste for Bolognese art during the seventeenth century, both within and outside Bologna itself, based on new archival research and also exploring issues of gender, class, and regional preferences during the Seicento. These ground-breaking essays, all based on original archival research, consider the evolving interest in Bolognese art in seventeenth-century Italy, particularly focusing on the period after the death of Guido Reni in 1642. Edited by Bolognese specialists Raffaella Morselli and Babette Bohn, the studies collected here focus on the taste for Bolognese art within Bologna itself and in other parts of the Italian peninsula, including Mantua, Ferrara, Rome, and Florence. Essays examine the roles of gender, class, and the social status of the artist in early modern Bologna; approaches to exhibiting artworks in noble Bolognese collections; the reputations of local women artists; the popularity of Bolognese quadratura painting; and the relative success of both contemporary and earlier Bolognese artists with Italian collectors.

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