To write this, with this specific meaning, is to say that in the act of creation (writing literature and poetry), Thảo stands as an equal to God (Allah). Indeed, she is perhaps more wondrous in this: Thảo "constantly meets, constantly exchanges... (and constantly dialogues)" with that which she has created. One wonders if God (Allah) does the same?Take, for example, a house. The owner is named Thảo. She created, designed, and built it for herself as a place to dwell (ở). In this dwelling place, "cleanliness touching cleanliness" signifies a constant existential state of revelation and apocalypse...
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