Writing Without Borders Listening
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Beschrijving
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This book asks what it takes for people to encounter one another ethically when practices, worldviews and imaginations clash. It uses ‘listening’ as an encompassing metaphor for attending to others and engages over 40 contributors across geographies, disciplines, art forms and practices in a conversation which the reader is invited to join. This book asks what it takes for people to encounter one another ethically when practices, worldviews and imaginations clash. It engages over 40 contributors across geographies, disciplines, art forms and practices in a conversation that touches on topics ranging from the climate catastrophe to the disintegration of the welfare state and the erasure of certain bodies from public spaces. It is concerned with how these ‘big’ questions play out in ‘small’ everyday encounters in classrooms, rehearsal rooms, arts projects, charity events or city markets. The book’s polyphonic text does not present answers to its central questions in the way a typical research publication might do. Instead, it creates a flow and invites the reader to join a conversation. By refusing to deliver an argument, the book opens new possibilities for relating to others in the academy and arts. This book is open access under a CC BY ND licence.
Vergelijk aanbieders (1)
This book asks what it takes for people to encounter one another ethically when practices, worldviews and imaginations clash. It uses ‘listening’ as an encompassing metaphor for attending to others and engages over 40 contributors across geographies, disciplines, art forms and practices in a conversation which the reader is invited to join. This book asks what it takes for people to encounter one another ethically when practices, worldviews and imaginations clash. It engages over 40 contributors across geographies, disciplines, art forms and practices in a conversation that touches on topics ranging from the climate catastrophe to the disintegration of the welfare state and the erasure of certain bodies from public spaces. It is concerned with how these ‘big’ questions play out in ‘small’ everyday encounters in classrooms, rehearsal rooms, arts projects, charity events or city markets. The book’s polyphonic text does not present answers to its central questions in the way a typical research publication might do. Instead, it creates a flow and invites the reader to join a conversation. By refusing to deliver an argument, the book opens new possibilities for relating to others in the academy and arts. This book is open access under a CC BY ND licence.
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