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Bol Xunyi Ji: From Text to Stage is a collection of critical essays on traditional Chinese opera (xiqu). The volume brings together seventeen articles, divided into five sections: studies on the history and theory of xiqu; studies on Kunqu opera; studies on Cantonese opera; xiqu criticism; and interviews with notable figures. These essays trace the author's academic trajectory-from a background in Chinese literature at a university to a research position at an arts institution-marking a shift from a primary focus on textual analysis to a growing engagement with stage production and the contemporary development of xiqu.¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿17¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿

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Xunyi Ji: From Text to Stage is a collection of critical essays on traditional Chinese opera (xiqu). The volume brings together seventeen articles, divided into five sections: studies on the history and theory of xiqu; studies on Kunqu opera; studies on Cantonese opera; xiqu criticism; and interviews with notable figures. These essays trace the author's academic trajectory-from a background in Chinese literature at a university to a research position at an arts institution-marking a shift from a primary focus on textual analysis to a growing engagement with stage production and the contemporary development of xiqu.¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿17¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿


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