My Last Autobiography {A Timeless Indian Novella}

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Bol At ninety-four, a retired engineer decides to begin again-write his third and, ashe insists, final autobiography. Not because anything remarkable has happened tohim, but precisely because nothing does.His world has shrunk to a single room: two caretakers who fuss over him; hisson, the doctor who once promised care, now scolds him and treats him asanother patient to be managed. His days too pass in small, stubborn rhythms: amorning pooja, a quarrel, the scent of jasmine and perfume, the memory of alost earring. And yet, the old man writes-or rather, talks to himself-with energy,humour, irritation, and flashes of startling tenderness. He writes not to recordhistory but to fill the silence of a life slowly slipping into invisibility. Whatbegins as a rambling account of routines and recollections turns into somethingdeeper-a fierce and ironic confrontation with the idea of decline itself.Rajendra Banahatti's portrait of a man outliving his usefulness is unsparingand profoundly humane. With wry wit and unflinching honesty, he capturesthe strange dignity of growing old in a world that has stopped listening. InJerry Pinto's graceful, lucid translation, this last act of self-narration becomesa meditation on memory, time, and the stubborn persistence of the self-thevoice of a man who will not go quietly, because his story is not yet done.

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Bol

At ninety-four, a retired engineer decides to begin again-write his third and, ashe insists, final autobiography. Not because anything remarkable has happened tohim, but precisely because nothing does.His world has shrunk to a single room: two caretakers who fuss over him; hisson, the doctor who once promised care, now scolds him and treats him asanother patient to be managed. His days too pass in small, stubborn rhythms: amorning pooja, a quarrel, the scent of jasmine and perfume, the memory of alost earring. And yet, the old man writes-or rather, talks to himself-with energy,humour, irritation, and flashes of startling tenderness. He writes not to recordhistory but to fill the silence of a life slowly slipping into invisibility. Whatbegins as a rambling account of routines and recollections turns into somethingdeeper-a fierce and ironic confrontation with the idea of decline itself.Rajendra Banahatti's portrait of a man outliving his usefulness is unsparingand profoundly humane. With wry wit and unflinching honesty, he capturesthe strange dignity of growing old in a world that has stopped listening. InJerry Pinto's graceful, lucid translation, this last act of self-narration becomesa meditation on memory, time, and the stubborn persistence of the self-thevoice of a man who will not go quietly, because his story is not yet done.

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Pagina's: 144, Paperback, Speaking Tiger Books


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  • 9789363360884
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